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Ian Andrews - 'Mini Sandscapes' - August 4th-21st, 2017

27/7/2017

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Photo: Ian Andrews, from 'Mini Sandscapes', Photospace Gallery fine art photography, Welliington New Zealand
Photo: Ian Andrews, from 'Mini Sandscapes'

These photographs are all taken in and around the shore at Castlepoint, East Wairarapa, New Zealand. Ambiguous, fractal, austere or luscious, sometimes all at once, these pictures were taken at waist height, looking vertically down, using an iPhone. No cropping or ‘shopping.

Ian Andrews has worked in many artistic media (wood engraving, jewellery, music, poetry) but this is his first photographic exhibition.

'Mini Sandscapes' runs at Photospace Gallery, 1/37 Courtenay Place, Wellington, from 4th to 21st August. The opening is on Friday, 4th August, 5pm to 7pm, along with Nick Servian's exhibition 'Dummies for Windows'. You are welcome to join us.

Photo: Ian Andrews, from 'Mini Sandscapes', Photospace Gallery fine art photography, Welliington New Zealand
Photo: Ian Andrews, from 'Mini Sandscapes'
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Nick Servian - 'Dummies for Windows' - 4th-21st August 2017

25/7/2017

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New York Photo: Nick Servian, Photospace Gallery fine art photography Wellington New Zealand
New York. Photo: Nick Servian

Nick Servian has been a frequent visitor to Photospace Gallery for years, and so it's with pleasure that we finally get to exhibit his work here. I must admit to being a little iffy about the idea of an entire exhibition of photos of mannequins; that is until I saw the photos. As expected, there is humour, but it is mixed with a dark, Gothic sensibility and contains plenty of nods to photographic  history and that of other visual arts.

Nick Servian has been a professional photographer since a mac was a raincoat and a photoshop was a place to buy film.  He worked in England for 12 years, photographing landscapes and cathedrals, and since settling in New Zealand he’s worked with most of Wellington’s top advertising agencies and designers.
  
Assignments have taken him all over the world, from New York to Zurich, Tokyo to Timaru and Washington to Wagga Wagga.  His photographs have featured in books, magazines, advertisements and annual reports, and on everything from billboards to postage stamps.
 
Nick has been awarded Fellowships of both the British and New Zealand Institutes of Professional Photography.  He has won many awards for his work, including First Prize in the BIPP Fine Art Awards in London. He has had solo exhibitions of his photographs of Manhattan and Havana, as well as showing at the Academy of Fine Arts in Wellington and Webb’s Fine Art Gallery in Auckland.
 
He has always had a fascination for mannequins.  They offer a glimpse into society’s ideal of beauty at a particular point in time, sometimes long-gone.  Some of these photographs were made at the Purfex mannequin factory in Auckland.

'Dummies for Windows' shows at Photospace Gallery, 1st floor, 37 Courtenay Place, Wellington, from 4th August to 21st August, 2017. The opening function is on Friday 4th August, 5pm-7pm.

The Mannequin Makers Documentary - featuring the Purfex factory, with Nick Servian interview.

Photo: Nick Servian, mannequin study Purfex factory, Photospace Gallery fine art photography, Wellington New Zealand
Photo: Nick Servian
Photo: Nick Servian, mannequin study Purfex factory, Photospace Gallery fine art photography, Wellington New Zealand
Photo: Nick Servian
Exhibition poster 'Dummies for Windows', Nick Servian, Photospace Gallery fine art photography Wellington New Zealand
Exhibition poster: Nick Servian - 'Dummies for Windows'
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'Upper case, lower case' - Catherine Adam in 'Four'

24/7/2017

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'AEIOU', from 'Upper case, lower case'. Photo: Catherine Adam, letterpress museum, Photospace Gallery fine art photography, Wellington New Zealand
'AEIOU', from 'Upper case, lower case'. Photo: Catherine Adam

Gallery talk by Catherine Adam and members of the Printing Museum - Friday 1st September, 5.15pm

UPPER CASE lower case
A photographic exploration into an industry-turned-craft — Letterpress
by Catherine Adam.

Letterpress: A mechanical impression-based printing technique from a bygone era that utilizes raised metal and wooden type to imprint words on a page.

Johannes Gutenberg perfected the practice of letterpress in the fifteenth century and from here it became the primary form of printing and communication for more than 500 years. But then some thirty years ago this method of printing came to an abrupt end with the invention of digital printing technologies.

Today, letterpress has evolved into an art form, rather than a standard printing practice. It can’t compete with digital printing in terms of speed of production, but for many enthusiasts the world over, myself included, pushing pixels around the screen just doesn’t have the same satisfaction as working directly with ink, wood, metal and paper.

This project combines two of my passions, typography and photography. It is a visual documentation of New Zealand’s Printing Museum in action. Thank you to the team of volunteers at the museum for welcoming me, my camera and my many questions into the museum.
www.theprintingmuseum.org.nz

Catherine Adam is a freelance graphic designer and photographer based in Paekakariki on the Kapiti Coast.
www.catherineadam.co.nz

Catherine Adam's exhibition 'Upper case, lower case' is part of the group exhibition 'Four' at Photospace Gallery, 37 Courtenay Place, Wellington, running from 25th August to 16th September, 2017.

'Slugs', from 'Upper case, lower case'. Photo: Catherine Adam, letterpress museum, Photospace Gallery fine art photography, Wellington New Zealand
'Slugs', from 'Upper case, lower case'. Photo: Catherine Adam
'John at work', from 'Upper case, lower case'. Photo: Catherine Adam, letterpress museum, Photospace Gallery fine art photography, Wellington New Zealand
'John at work', from 'Upper case, lower case'. Catherine Adam,
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