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Andrew Ross recently showed me a number of photographic prints that mostly predate his earliest exhibition work (mid 1990s). I hadn't seen any of the images before, and my immediate reaction was that they needed to be exhibited. Andrew has reprinted a few of the photos for this show but most are the original prints that he made in his darkroom, or at the commercial photo lab he worked at in the 1990s, Level III Photography owned by Mark Graham. You will see that the photographs are experimental but also show the primary direction and style that Andrew was to adopt and stick with. These photos are from 35mm and medium-format black & white film. After this, Andrew moved up to large format cameras that use 4" x 5" and later 8" x 10" sheet film. The exhibition opening is on Thursday evening, 27th November, 5pm-7pm. You're most welcome to come along. The gallery will close for Christmas and New Year and reopen in early January. I'll let the exhibition run through January but it will be closed on some days due to other commitments. Please check this website photospacegallery.com and the Photospace Gallery Facebook page for updates. Photospace Gallery has exhibited Andrew Ross' photography since early 1999. Since then he has established a reputation as one of Aotearoa's leading photographic artists. His work is in the collections of Te Papa, The Sarjeant Gallery, Auckland City Gallery, The Dowse Art Museum, the Eastern Southland Gallery, and other public and private collection here and abroad.
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"3 Blokes Show Up" runs at Photospace Gallery from 7th-15th November. Gallery hours: Mon-Fri 10am-3pm, Saturdays 11am-2pm. Closed Sundays. Photographs by Chris Coad and Dean Zillwood are for sale, framed, open edition. Dean Zillwood Nature’s diversity is full of perfect imperfections; shells are a great example, each unique in pattern, colour and form, and once home to living creatures. Nature is the ultimate designer, creating beauty with purpose and inspiring humans through biomimicry in art, architecture and technology. Spirals found in shells, galaxies and DNA reveal how nature optimises growth and energy. These patterns have inspired innovations from efficient city layouts to aerodynamic designs. Shells, ancient and resilient, have existed for over 500 million years, used by humans for art, tools and adornment. Through these images, I celebrate nature’s ingenuity and remind us to care for this life force that sustains us. 46 x 46cm framed pigment prints, each $485.00 Top row, left to right Silver Paua - Haliotis australis Emerald Green Tree Snail (Yellow Morph) - Papustyla pulcherrima Emerald Green Tree Snail (Manus Green Tree Snail) - Papustyla pulcherrima Cake Urchin - Fellaster zelandiae Houghton Bay, Sunset 1 Bottom row, left to right Kina, Sea Urchin - Evechinus chloroticus Paper Nautilus - Agonauta Pacific Sea Urchin - Strongylocentrotus purpuratus Mole Cowrie - Cypraea Talpa Houghton Bay, Sunset 2 Special thanks to Oliver Zalava--Picaflor Fine Art Printing, Judy Hutt-- The Island Bay Marine Education Centre, James Gilberd--Photospace Gallery. Mike Clare Mike's images are inspired by the posters of Hollywood and Spaghetti Western movies. Photographed at shooting ranges across Aotearoa, these are competitors in the sport of Cowboy Action Shooting. Each shooter must have period-appropriate clothing, accessories, and firearms, as well as a suitable alias for the score sheet. This is part of an ongoing series. Photographs are 500mm x 700mm inkjet prints. Not for sale. Hick, Whanganui Range Calamity Kate, Kaitoke Range Outlaw, Gladstone County Cowpat, Gladstone County Young Phil, Purgatorie Range, Palmerston North Big Sal, Taupō Range Uncle Buck, Whanganui Range. Chris Coad
This body of personal work explores New Zealand’s distinctive architectural elements by extracting buildings or structures from their usual surroundings and reimagining them in entirely new environments. Each image captures these architectural features—often subtle or overlooked in their native context—and digitally places them into settings where they take centre stage. The transformation shifts the viewer’s perception, highlighting the design’s significance and aesthetic qualities. The outcomes vary from seamlessly fitting into their new scenes to entering the realm of surrealism, challenging traditional notions of place and architecture. Photographs: all archival pigment prints, open edition, priced framed. Cafe, Greymouth $590.00 Dairy, Island Bay $690.00 Nissen Hut, Rongotai $590.00 Caravan, Rangipo Desert $490.00 Lorne Street, Te Aro $490.00 Thorndon houses $490.00 Art deco house, Whanganui $490.00 Cinema, Whanganui $690.00 |
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