'Ex Libris' is showing in room 4 of Photospace Gallery from 19 August to 3 September, 2022, but is likely to run longer. (The series was first shown at the Katherine Mansfield birthplace, 25 Tinakori Rd, Wellington, in 2021.)
Gallery hours: 10am-3pm Mon-Fri, 11am-2pm Saturdays, Closed Sundays and public holidays.

Hayley exhibited at Photospace Gallery in 'Communicating Vessels' with Mary Macgregor-Reid and Kate Rampling. The photobook of this exhibition is available at this year's Photobook / NZ Book Fair at Te Papa on 20th August.

Artist statement:

A writer as an adult is a reader as a child, and the first books Katherine
Mansfield read were Victorian children's stories; Mother Goose, The Brothers
Grimm, The Water Babies, and the Alice books. Most of these books were
illustrated, often with engravings, by artists such as John Tenniel, George
Cruikshank, Arthur Rackham and Kate Greenaway.
 
In England, Mansfield reinvented her New Zealand childhood to impress her
friends; her remembered early reading, as part of that childhood, helped to
colour it for her, adding layers to the antipodean world she would explore in
her writing.
 
Her New Zealand child characters moved through landscapes that most of
her readers had not seen, awakening those reader's own childhood
imaginings, fuelled by the same illustrated works Katherine had read.
In Ex Libris Katherine Beauchamp dreams, transported into the pages of the
books that first awaken her literary imagination.

- Hayley Theyers, 2021

This is Cathy Tuato'o Ross' tenth exhibition at Photospace Gallery since 2001. As you can tell, 'Stand Still' is not an exhibition of photography but it refers to the medium (see Cathy's notes below). Her previous exhibition at Photospace was 'Objects and Reasons' which featured digital photographic prints painted on - a mixed media exhibition. Since around then, Cathy has been a finalist in six out ten Parkin Drawing Prize finalist exhibitions in Wellington, including the 2022 exhibition (opening 1st August). She has entered works in a variety of mediums, including mixed media.

For these reasons, we're calling this a joint exhibition between Photospace Gallery and Gilberd Marriott Gallery (a parallel project we've been running in the same gallery rooms since 2008, allowing us to show artworks in mediums other than photography - to mix it up a bit and attract a wider range of viewers and artists to the gallery.

Artist's notes on 'Stand Still'

"The drawings in this body of work are largely based on formats borrowed from photographic studio set-ups of the early twentieth century. The photographic studio set-ups were largely based on formats inherited from paintings of previous eras. The technology has changed far more than the composition or even the intent. Despite the technical challenges of daguerreotypy, images were made of cats and dogs, for example. Cat and dog photos are still some of the most popular images in the digital era. Men are represented in power poses. Young woman are positioned to display their values and virtues, standing still or sitting in an attitude of repose. Politely. The conventions belong to the image maker/photographer, who had stock approaches to representing people of different ages, classes and ethnicities. My daughters and I have looked at studio portraits made in New Zealand/Aotearoa a hundred or so years ago, and have collaborated to make drawings referencing them, learning, at the same time, how you can think one way and appear another. It has made us question how much we can actually learn from historic photographs, beyond learning about studio practice and the public appetite for affordable portraiture. How much else has really changed over time? Technology has progressed."

'Stand Still' opens on Friday 5th August, 5pm-7pm. You are most welcome to come along.
Please wear a face mask.
Also showing:
Room 3: till13 August - Mike O'Kane - 'Changing Circumstances' (moved and reinstalled in Room 3)
Room 4 (office, and bar room for the opening) till 13 August - Max Oettli - 'Burning Shithouse and other vintage photographs'

I've finally settled on a title for this exhibition of ten vintage prints selected from the gallery's stock of Swiss-New Zealand photographer Max Oettli. It has been pointed out that the shithouse, the small structure to the right of the burning shed, is not actually on fire. This privvy's fate, however, appears sealed.
Max Oettli's exhibition 'Visible Evidence - 1965-1975 continues at the Auckland Art Gallery Toi O Tamaki till 30 October. The Photospace stock exhibition continues until 13th August, after which I shall relocate it in the gallery's new stockroom!
This is Max's second exhibition at Photospace Gallery, following 'Men' in 2019. Artist info.

Exhibition catalogue info below, with the original title (after 'Less-visible Evidence' was tried).